We’re live, baby.

Anyway, I guess we should talk about the singing?

You also know that the spots to move forward are limited.

The person remaining on each team with the most votes will compete for one final wildcard spot.

For now, let’s see how our Top 20 handles the pressure of live television.

Girl Named Tom is playing to win, people.

Are the Live Playoffs making me soft?

Don’t answer that.

Coach Kelly calls them her “unicorn” and their performance tonight backs that up.

There’s no way this trio isn’t making it through to the top 13.

She’s another shoo-in on Kelly’s team moving forward.

Ariana Grande thinks Hailey has never sounded better and loves seeing her growth on this stage.

She doesn’t disappoint.

She knows exactly how to maneuver through this song, taking us on a ride from beginning to end.

Joshua Vacanti, “You and I” by Lady Gaga

Joshua Vacanti can put on a show.

He knows how to work the song and the crowd to his advantage.

This is one of the biggest surprises of the night thus far.

“Your voice is stunning,” he says.

Jershika Maple walks out on the Live Playoffs stage and just lays this one down with such ease.

Okay fine, I care a little.

He’s had some really emotional and poignant performances thus far, but this one misses a bit.

For the Live Playoffs, Raquel wants to show off a softer, more vulnerable side to her voice.

It’s a good strategy in theory, but it’s not the best vocal.

Still, Kelly praises Raquel’s artistry and ability to make that song her own.

She owns this entire song.

She calls her “the perfect pop star.”

She knows how to work the stage though, that’s for sure.

Holly Forbes, “Torn” by Natalie Imbruglia

I’m crying sir, I’m crying.

We are stirred, okay?

Again, Kelly is lamenting letting a vocalist go only to bring it home for another team.

It’s maybe not the best song choice for him, but he’s putting on a show regardless.

Coach Blake reveals his own mother said she was voting for Peedy before she even saw the performance.

So maybe remember that, too: Moms love Peedy Chavis!

He seems like a seasoned pro up there taking on this classic Motown hit.

He has such confidence and he knows he doesn’t need to push it to make an impact.

It’s smooth and powerful in all the right places.

All four coaches give Paris a standing ovation and Kelly can’t help but throw her shoes at him.

As Blake points out, that lane is wide open for her to take advantage of.

On top of that, Lana Scott has such a modern and interesting country sound, it’s refreshing.

“We need you in country music right now,” Blake tells his artist.

It would be a travesty if she’s not in the mix, and even Kelly says so.

That’s so nice!