The second was slightly more meta.
“I was fascinated with everyone’s fascination with her real identity.”
Andrews says, though “[Florence’s] ambition is much more like desperation.”
Andrew De Francesco; Little, Brown
Andrews describes the interest from Hollywood as “so, so, so surreal…
I’m still sort of shocked that I finished it, to be honest!”
“It’s like very subtle warfare.”
And with that, she picks up her pen, still very much mightier than the sword.
