Audienceshave heard a lotaboutSlave Play.
An irony considering the play is so vociferously engaged in questions of context and history.
It opens on a distinctly American setting, the McGregor plantation, where three narratives of sexual congress unfold.
Antoinette Crowe-Legacy in ‘Slave Play’.Ryan Miller/Capture Imaging
He’s a firebrand.
The discomfort, the outrage, is the point.
Particularly when it comes to questions of love, sex, and power.
Antoinette Crowe-Legacy, Paul Alexander Nolan, and Jakeem Dante Powell in ‘Slave Play’.Craig Schwartz
Harris sets a match to all that withSlave Play, assisted by the effective scenic design of Clint Ramos.
Slave Playis certainly not for everyone; it opens a can of worms of impossibly difficult questions.
Paul Alexander Nolan and Antoinette Crowe-Legacy in ‘Slave Play’.Ryan Miller/Capture Imaging
