In one sense, David Mitchell published a new novel this year, titledUtopia Avenue.
Other Mitchell novels, likeCloud AtlasandThe Bone Clocks, give a better indication of his overall project.
“I do like my novels to have these hyperlinks between them,” Mitchell tells EW.

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“Like how the songs on an LP likeSgt.
Pepper’sadd up to more than the sum of their parts.
Two members ofGhostwritten’s ensemble pop up inUtopia Avenue.

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They need to be who they are.
They mustn’t feel like I’ve Photoshopped them together from that best-known moments.
“Music is a force beyond language,” Mitchell says.

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“Maybe that’s why I’m drawn to it.
Music isn’t just adescriptionof a profound experience, itisa profound experience.
I don’t make it easy for myself.”

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But that connection is only explicit if you’ve read both books.
“Whereas if you have readThousand Autumns,Utopia Avenueis not a realist novel anymore.
It’s a mostly realist novel with this fantastical organ beating inside it.

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That cannot happen without a little bit of friction,” Mitchell says.
“It meant that the novel was quite rigidly timed.
I couldn’t mess about with the track order.”

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