Jimmy and Kim plot their next move while Nacho runs for his life.
In theBreaking Baduniverse of whichBetter Call Saulis a part, houses have always been important.
“Look at all this wall space!")
Bob Odenkirk as Jimmy McGill, Rhea Seehorn as Kim Wexler.Greg Lewis/AMC/Sony Pictures Television
At first, as per usual, we begin in black and white.
Slowly, the colors begin to fade in: a touch of blue.
A flash of pink.
Then, the whole garish rainbow.
These were the clothes that made the man.
Now, they’re evidence, catalogued and carried away by a team of government agents.
There’s a round bed with a mirrored canopy and a faux-tiger fur duvet.
There are massive reproductions of baroque fresco paintings on the walls.
So whatever happened to Kim, it must have happened before her husband ever bought this place.
The cap from the bottle of Zafiro Anejo tumbles off the truck and into the gutter.
And there, presumably, it stays.
This concludes our brief visit to a post-Breaking Badtimeline.
She’s been sleeping.
She says he’ll get it back, but a prediction: he won’t.
The bullet-riddled “World’s Second Best Lawyer” coffee mug she gave him is still inside.
Kim picks it up, examines it… and tosses it in the trash.
Meanwhile, in Mexico, Nacho is in serious trouble.
(Side note: Nacho’s hideout comes with a change of clothes, but apparently no food?
“So… we’re doing that?”
And oh, how the tables have turned, andahhh, so much happens in this scene.
Kim Wexler, in this moment, is literally behind bars.
Maybe it doesn’t mean anything!
Cut to: Howard Hamlin’s country club.
Only a phone call to Hector before he crosses the border gives him pause: he needs proof.
Until next week, folks.
And hey, keep the mustache and soul patch.
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